This idea is a quick brainstorming sketch that brings together several threads in the spirit of combinatorial innovation. I’d love to have your feedback in the comments.
The future of magazines in a connected world
I love magazines, and I’ll bet you do too. Magazines are perhaps the most vibrant and culturally relevant form of print media, and their diversity mirrors the staggering range of human interests and obsessions. In the connected world, they have the potential to evolve into an incredibly interesting and engaging networked medium. In recent months we have seen two inspiring future design concepts: the lush Time/Sports Illustrated video, and the poetic Mag+ concept created by design firm @BERGLondon and publisher Bonnier. With high performance, connected e-reader and tablet platforms finally coming to market, it’s clear we are going to see some very exciting developments in this space. However, we should remember that the fundamental nature of connected media is very different from that of print media, and we should be careful about bringing a print-oriented mindset to a new networked medium. The features of electronic magazines should not simply be incremental extensions of the printed version, even if the physical artifacts are roughly similar in size, shape and appearance. With that in mind, I’d like to engage you in a thought experiment about what could happen when we collide digital magazines together with the global social Internet. One possibility we might imagine is massively multiplayer magazines.
Massively multiplayer what?
You’re probably familiar with massively multiplayer online games like World of Warcraft. The massively multiplayer magazine re-imagines the traditional periodical in the context of an online social game environment involving thousands of people. In this scenario, the magazine becomes a gateway into a universe of intertwined stories, knowledge, people and play, with experience design and game mechanics drawn from MMOGs, ARGs and social games. Readers become players who have profiles, scores, achievements and abilities. Players self-assemble into clans, guilds and communities. Game elements encompass traditional magazine fare such as stories, images, features and advertisements, alongside new aspects including collaborative quests, mini-games, social streams, location awareness, augmented reality and physical hyperlinks. Gameplay involves completing missions, defeating bosses, unlocking hidden features, and participating in experiences that add richness, engagement and dimensionality to the magazine’s thematic center.
Magazines are like printed Usenet
Magazines are like printed Usenet
You may be thinking this is a pretty strange idea, because magazines and online games seem like completely different media with little apparent synergy.  But consider: A well-stocked newsstand’s magazine rack is a glossy reflection of a world of enthusiast niches, each one incredibly narrow and deep. From heavy metal music to needlepoint; from luxury island living to body modification culture, magazines are the proto-Usenet of publishing. Furthermore, every special interest grouping you can imagine has already established itself in some form of online presence, be it a mailing list, web forum, or social network. The inherently social, topical milieu of magazines and their enthusiast communities has much in common with the ecosystem of social, story-oriented worlds and deeply invested players of many online games. It’s not hard to imagine that online gamers and magazine readers would each be attracted to a medium that combined the best of both genres. In fact, there is ample precedent for communities passionately following and participating in stories and games across multiple media. Think of Pokemon, Survivor, and the Star Wars Universe as examples of huge cultural phenomena with stories that span books, television, games, the web and more. For more on that, you might enjoy going down the deep rabbit hole of transmedia storytelling. But let’s continue.
Possible user stories
Clearly, this new kind of magazine/game would be primarily a digital medium. Mobile tablet computers like the just-announced Apple iPad would be excellent platforms to build optimized experiences around. Moreover, a massively multiplayer magazine would also play out across websites, social forums and physical locations, in much the same way that many alternate reality games have done. With the addition of ‘clickable’ links via QR codes and similar physical links, even readers of printed magazines could be drawn into the game through their mobile phones.
So what would a massively multiplayer magazine be like? Here are a few possible user stories that begin to explore the concept; you should definitely add your own ideas in the comments:
* Each story is a context that you “check into”, much like a Foursquare location. This might show up in your Twitter stream as “I’m reading <article> with 5 other people http://j.mp/xG08U“, with a shortened link directly to the article. As you check in and comment about the article in your social stream, you accumulate points in your profile for each new reader that clicks through your link. If you are leafing through a paper copy of the magazine, you might find a QR code printed on the page, and scan it with your smartphone to “check in” and connect to the social stream about the article.
* Stories are customized based on your location. When you are physically in Paris, stories and games with a Parisian context are revealed. Reading those stories in their intended locations around the city earns you a special achievement badge for Paris. Meeting local players face to face grows your social circle and adds to your in-game reputation.
* A rock music magazine works with bands and concert promoters to place printed QR codes on posters at live shows, and readers earn badges by going to the show and scanning the codes.
* A pop culture fan magazine creates a series of 12 monthly challenges, each building on the previous one and taking players progressively deeper into a complex storyline. The challenges can only be worked out through large-scale cooperation by fans; the resolution leads to a hidden plot device in the upcoming season of a hit reality TV series.
* An advertiser sponsors a global treasure hunt, with rabbit holes, missions and puzzles embedded in the digital and print versions of a travel magazine. The prize is significant and the story engaging enough to attract tens of thousands of players and drive millions of social media mentions and impressions over the entire duration. For inspiration, take a look at the ARG called Perplex City, which offered a $200,000 prize for finding a game artifact called the Receda Cube.
* Collaboratively generated story/soundtrack pairings are recommended by your friends and other readers of the same stories. “One of your friends recommended the Cowboy Junkies channel on Pandora, to accompany this story on musician Townes Van Zandt.” Alternatively, writers and photographers offer their own musical pairings to convey mood and contextual cues for their work, similar to sound design for cinema.
* A media literacy foundation challenges teams to create an entirely new magazine, organized around crowdsourced recommendations and contributions for the best stories, photographs, video, audio and even advertisements. The contributors earn achievements and reputation scores based on readers’ ratings and social metrics. The winning team receives a grant funding the creation of their next 6 issues, and featured placement on a popular media blog.
These are only a few examples of the possibilities of a new kind of massively multiplayer media. There are many open questions here, obviously. Would publishers find this concept attractive? Would readers make the leap to become players in a worldwide game? How hard would they be to develop [see note 2 below], and at what cost? It’s no sure thing, but I am inclined to believe that the well-established cultural familiarity and affection for magazines, combined with the addictive and viral nature of online games like Farmville and Foursquare, and built on the mobile, social, contextual platform of the connected world, would make an incredible creative genre and a very interesting business opportunity.
What do you think? Leave comments, send me email, or tweet some feedback to @genebecker. Thanks for reading, and YMMV as always.
[1] Photo credit:
mannobhai
[2] It’s worth noting that designing media to be massively multiplayer will require new skills, tools and workflows, well beyond those employed in today’s magazine publishing ecosystem; our hypothetical project will surely need to address the authoring process. If you are interested, Ben Hammersley makes this point well in a series of eloquent posts that are worth your time.
In contrast, Aguera’s framing is fueled by technical machismo. He uses strong and weak in the common schoolyard sense, and calls out “so-called augmented reality” that is “vague”, “crude”, and “sucks” in comparison to AR that is based on (gremlins, presumably shorthand for) sophisticated machine vision algorithms backed with terabytes of image data and banks of servers in the cloud. “Strong AR is on the way”, he says, with the unspoken promise that it will save the day from the weak AR we’ve had to endure until now.
